Jewish Theatre in Israel -special issue of Israeli Quarterly for Contemporary Theatre.
By Gad Kaynar and Haim Nagid
Though the reigning Darwinist ethnocentrism, condemns anyone who believes in quality as a tool for survival, some of the artists mentioned and reviewed in this issue remained faithful to their credo, yet survived intact. The Acco Festival, many times bewailed and buried, emerged lately from its ashes, proposing new forms and styles combined with provocative contents, which doesn’t make it easy for the spectator; the “Malinky” Theatre, which like its major brother, “Gesher”, teaches us a lesson i |
